Oh, Lord, here we go again. Another round on paint mixing when most of us have long ago accepted the fact that with all the changes in the paint and chemical industries over the past fifty years we don't really stand much chance of perfectly matching any prototype paint color. If we did, so what. By the time we got a model painted with the "perfect match" paint onto the pike to operate it wouldn't match anyway because the lighting would have a different balance to it. And I sit here typing this in the heart of SPF country (obviously not at home!) hoping this thread dies a normal death before I get hit with a pail of someone's idea of a "perfect match" for Pond Bottom Brindle....more commonly called Brunswick Green in this locale! (-:
Don Valentine
Quoting Bruce Smith <smithbf@...>:
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I said:
Now, since they had the same amount of pigment, you might assume that
they were identical colors, but it turns out that you would be wrong...for carriers contribute to color, and these formulations might
have slightly differing hues due to that. Garrett responded:
Errrrrrrgghhh, I beg to differ from my own experience within the paint
industry. The goal with this and with color matching is to ensure that not only dry, but dry the same color. They dry them on cards under controlled lighting for comparison. There should be no tint from your solvents, or none that you notice between mixes. Compensation needs to be made if the solvents do influence color once dry. Did I say ANYTHING about color matching <G>? Nope, not a word, and neither do the PRR specs. They took X lbs of color paste (spec # so-and-so) and mix it with Y+Z gallons of solvents. These were instructions to the troops, not something from "the paint industry". As was pointed out to us at our meeting, paint matching at the end of PRR was done by the shop foreman opening a 50 gallon drum of paint and slapping some on the shed wall (CONTROLLED LIGHTING???). He would then
take a little bit of this and a dash of that and paint the car/loco/etc...no second swatch there!
Counterpoint (and in defense of what you are saying) the weathering rates from changing solvent amounts are different afterwards <snip>
Shelf life (remember when I caught you guys coming out of the elevator down in Cincy?) can be a factor with solvents and filler (cellulose) as they age. Absolutely, and our conclusion was that you cannot use old liquid paint
samples to get accurate colors by painting mixing them up (there are other ways...).
Finally, the PRRT&HS paint committee's charge is to help manufacturers, modelers, and restorers to (as accurately possible) match specific PRR
colors. At our first meeting, we decided that it was a daunting task,
and that we would somehow succeed in at least defining baselines to work from...we'll see <G> Just as long as you all know that you will need a different mix for each of the above, and each scale. What looks good on a 1:1 restored N5c will
be wrong on an HO N5c, and what is good on the HO N5c will look wrong on the G and N scale ones. Indeed, and another issue is the weathering of restored equipment...it isn't any good if that museum car is pink in 5 years (unless we're talking...)
Ah, but then there was the weathering mentioned above......so throw all of that out and do your own mixing at the air gun with the naked model on the bench. Um, I think I said "defining baselines"... I think we realized immediately that we'd be nuts to deal with weathered paint...but what you need to accurately weather is a starting point. The question, for historic railroad colors, is how you get there since many of the assumed starting points are of dubious value... 1) Color photos - nearly useless 2) Drift cards - nearly useless (heck they are 50 YEARS old...they've oxidized) 3) Liquid paint samples - nearly useless (oxidized, broken down) 4) paint chips - nearly usesless (weathered, even if painted over) 5) memory - sheesh! I can't remember what my wife was wearing this morning...and you're going to TRUST me to tell you what 2004 CSX blue looked like, FIFTY years from now??? (not to mention, I'm not usually seeing the "baseline" but a weathered derivative.
Now before you conclude that all is hopeless, there is a glimmer of light (although the oncoming headlight analogy may be very appropriate). By focusing on the CHEMISTRY of these paints, the ingredients that were used and the time frames when these changed, we may in fact generate good ranges of paint color that accurately depict appropriate archival paints...its going to take some work, and a realization that there is no "perfect match" because there was no unique one single color, but a range of colors very close to a target...Which just reinforces what some folks have been saying for years...your cars should not be all exactly the same color (but at least they should be in the ball park, eh Bowser?)!!!
Time for a Beer! Happy Rails Bruce
Bruce F. Smith V.M.D., Ph.D. Scott-Ritchey Research Center 334-844-5587, 334-844-5850 (fax) http://www.vetmed.auburn.edu/~smithbf/
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